Theatrical Consciousness: The Actor's Mind in

Theatrical Consciousness: The Actor's Mind in Russian Modernism by Alisa Ballard Lin

• Theatrical Consciousness: The Actor's Mind in Russian Modernism
• Alisa Ballard Lin
• Page: 200
• Format: pdf, ePub, mobi, fb2
• ISBN: 9780810148437
• Publisher: Northwestern University Press

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Investigating late imperial Russian and early Soviet modernism’s reinvention of the actor In this wide-ranging study, Alisa Ballard Lin argues that Russian theatrical theory and practice contributed to a broad pre- and postrevolutionary discourse about the mind, profoundly reshaping concepts of consciousness, perception, identity, and the constitution of the subject. Theatrical Consciousness: The Actor’s Mind in Russian Modernism examines efforts in Russian theater—from around the turn of the century through the mid-1930s—to stimulate, train, imagine, and ultimately understand the actor’s, as well as the spectator’s, mind. Discussing key figures of the period, including Nikolai Evreinov, Konstantin Stanislavsky, Vsevolod Meyerhold, and Alexander Tairov, Lin identifies an underappreciated dimension of humanism within Russian modernism: a humanism that resisted the pressures of an increasingly technologized, industrialized, and politicized modernity that challenged the place of the human within it.

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Footnote But this refracted history opens a new path for thinking about theatrical modernism, one that foregrounds the postwar decades not in spite but .
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conscious but also the unconscious aspect of the human mind, the most . of a theoretical novel in which scenes of theatrical life alternated with matching.
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Theatrical Consciousness: The Actor's Mind in Russian Modernism examines efforts in Russian theater—from around the turn of the century .
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Theatrical Gazette and. The Theatre and Art, weekly journalistic records re . mind of the artist, I felt the thrill of suddenly increased pressure on .
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[DOC] Accepted author manuscript - Ulster University
A Theatrical Novel, London: Vintage Books. Campo, G. and Molik, Z. (2010) . (1990) Russian Theatre In The Age of Modernism, New York: Palgrave MacMillan.
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Meyerhold has even been thought to espouse the school of “representation”, where an actor represents, rather than experiences emotion. As Muza indicates, the .
ABOUT ZUSKIN
BENJAMIN ZUSKIN (April 28, 1899, Ponevezh, Lithuania – August 12, 1952, Moscow), a fascinating actor of GOSET, The Moscow State Jewish (Yiddish) Theater, .
Theatrical Consciousness: The Actor's Mind in Russian Modernism .
Theatrical Consciousness: The Actor's Mind in Russian Modernism examines efforts in Russian theater—from around the turn of the century through .

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